Program

Tod und Verklärung (Death and Transfiguration)
Richard Strauss

Cello Concerto No. 1 in A minor, Op. 33
Camille Saint-Saëns

Enigma Variations
Edward Elgar

Music Director Laureate Miguel Harth-Bedoya returns to lead the FWSO in a memorable evening. In a brilliant bit of musical mischief, Edward Elgar said that the melody to “Enigma” fits perfectly with another melody, but more than 100 years later, the finest musical minds have yet to settle on a definitive answer to the riddle. Join us to experience Miguel’s returns to the podium to direct Elgar’s Enigma Variations and Strauss’ rapturous Tod und Verklärung (“Death and Transfiguration”). Cellist Sterling Elliot, winner of the 2019 National Sphinx Competition, also makes his debut with the orchestra in Saint-Säens’ fiery Cello Concerto No. 1.

Program

Tod und Verklärung (Death and Transfiguration)
Richard Strauss

Cello Concerto No. 1 in A minor, Op. 33
Camille Saint-Saëns

Enigma Variations
Edward Elgar

Music Director Laureate Miguel Harth-Bedoya returns to lead the FWSO in a memorable evening. In a brilliant bit of musical mischief, Edward Elgar said that the melody to “Enigma” fits perfectly with another melody, but more than 100 years later, the finest musical minds have yet to settle on a definitive answer to the riddle. Join us to experience Miguel’s returns to the podium to direct Elgar’s Enigma Variations and Strauss’ rapturous Tod und Verklärung (“Death and Transfiguration”). Cellist Sterling Elliot, winner of the 2019 National Sphinx Competition, also makes his debut with the orchestra in Saint-Säens’ fiery Cello Concerto No. 1.

Program

Tod und Verklärung (Death and Transfiguration)
Richard Strauss

Cello Concerto No. 1 in A minor, Op. 33
Camille Saint-Saëns

Enigma Variations
Edward Elgar

Music Director Laureate Miguel Harth-Bedoya returns to lead the FWSO in a memorable evening. In a brilliant bit of musical mischief, Edward Elgar said that the melody to “Enigma” fits perfectly with another melody, but more than 100 years later, the finest musical minds have yet to settle on a definitive answer to the riddle. Join us to experience Miguel’s returns to the podium to direct Elgar’s Enigma Variations and Strauss’ rapturous Tod und Verklärung (“Death and Transfiguration”). Cellist Sterling Elliot, winner of the 2019 National Sphinx Competition, also makes his debut with the orchestra in Saint-Säens’ fiery Cello Concerto No. 1.